The influence of fashion on society is a subject that has always been controversial. For some, fashion is simply a means of self-expression, while for others, it is a reflection of society's dominant trends and values. GWF Hegel, a famous German philosopher of the 19th century, also discussed this topic in his “Phenomenology of Spirit”. In this work, Hegel considers fashion as a form of cultural development that reflects the progress of society.

In this article we will explore Hegel's theories on fashion and its role in society, using excerpts from his "Phenomenology of Spirit". We will also discuss the relevance of these theories today, comparing them to contemporary perspectives on fashion and its influence on society.

Hegel's theory of fashion

According to Hegel, fashion is an important aspect of culture that reflects social and economic changes in society. In his "Phenomenology of Spirit", Hegel writes: "Fashion is an indicator of the state of development of society, because it expresses the aspirations and interests of the upper class."

Hegel also views fashion as a way for individuals to conform to social norms and distinguish themselves from others. He writes: "Fashion is a way of conforming to the social norm and distinguishing oneself from the crowd. This shows that fashion is an important aspect of social identity."

The relevance of Hegel's theory today

Although Hegel wrote about fashion over 200 years ago, his theories are still relevant today. Indeed, fashion continues to reflect the trends and values ​​of society, as well as the aspirations and interests of the upper class.

Additionally, fashion continues to be used as a way for individuals to conform to social norms and distinguish themselves from others. For example, high-end fashion brands are often associated with the social elite, while alternative fashion styles are often associated with subversive groups.

However, it is important to note that Hegel's theory of fashion is only one perspective among many. There are many other perspectives on fashion and its influence on society, including critical perspectives that view fashion as a form of domination and alienation.

Fashion as an expression of popular culture

In addition to reflecting societal trends and values, fashion can also be seen as an expression of popular culture. Emerging fashion styles can be influenced by historical events, social movements, music, technology, and more.

For example, in recent decades, fashion has been influenced by feminist movements, developments in environmental sustainability, and cultural diversity. Fashion brands have begun to adopt more ethical and sustainable practices, while models from diverse ethnic backgrounds are increasingly featured on fashion runways.

Fashion as a form of domination and alienation

Despite the social and cultural benefits of fashion, it is important to note that fashion can also be seen as a form of domination and alienation. Some critics view fashion as a way for economic and social elites to control the masses by imposing their own aesthetic standards.

Additionally, fashion can be seen as a form of alienation in that it encourages individuals to conform to social norms rather than explore their own identity and personal style. People who don't conform to fashion standards can feel rejected and marginalized.

Conclusion :

In conclusion, Hegel's theory of fashion as a form of cultural development that reflects the progress of society is still relevant today. However, it is important to view fashion from different perspectives, including as an expression of popular culture and as a form of domination and alienation.

Ultimately, fashion is a complex and multifaceted aspect of society that continues to evolve and reflect societal trends and values. It is important to continue to explore different perspectives on fashion and its influence on society to better understand its impact on our daily lives.

Sources:

• Hegel, G.W.F. (1807). Phenomenology of mind.
• Baumgardner, J. & Richards, A. (2000). Manifesta: Young Women, Feminism, and the Future. New York: Farrar, Straus and Gir